Koonce (ed.): Renaissance Vihuela and Guitar In Sixteenth-Century Spain CD_Vocal including Michael Schneider and Maurice

including Michael Schneider and Maurice van Lishout

bright sound ideally suited for solo performance

It has been designed from writings and iconography from the time

Maître Flutier

Koonce (ed.): Renaissance Vihuela and Guitar In Sixteenth-Century Spain CD_Vocal including Michael Schneider and MauriceScholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic,